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I took the fused, cleaned and polished sheets of glass and sat them on top of my mould, making sure that the edges were clear. I slumped these at about 600 degrees. In this part of the process but it was something I found myself doing a lot when I was waiting for the kiln to finish and cool down! Sadly and far too often my prayers were not answered and I ended up with ugly broken bits of work, as you can see below.
I chose to work with Bulls-eye glass in my final term of my third year. I decided to change materials as I was not totaly happy with the results I had been getting with the fused nuggets. Although it may have been a risk to start with a new material at this stage, I was confident that I could acehive more outstanding results. Of, yellow, fuchsia. Dark blue, light blue, turquoise. Sharp and perfected the circular form. 4 Take out of kiln. I was extremely happy wit.
Fusing Bulls-eye went well, my shapes worked and the colours worked. I realised that this type of glass is much better to use and to create finished objects with than the nuggets. I made more plaster moulds from my silicone master and lay six medium sized ones in the kiln along with about five smaller moulds. 1 Putting moulds into the kiln. 2 Putting sheets of glass onto moulds.